Born in Tangier, Morocco, Hamza Halloubi works with film, video, and painting. His practice explores the relationship between the power of images, language, and official narratives. Through videos that are often short and stripped down, he reflects on dominant stories and the tensions between visibility and silence. His work takes a critical stance toward the historical use of images as tools of domination. Rejecting the spectacular, he favours subtle gestures-a tracking shot, a shift in angle, the simple turning of a page to reveal the mechanisms of representation and the reproduction of images.
He had solo exhibitions at, among others, De Pont Museum, Tilburg (2025, 2020, 2015, NL); Argos - Centre for Audiovisual Arts, Brussels (2021,2022, BE); tegenboschvanvreden, Amsterdam (2022, 2020, NL), L'appartement 22, Rabat (2019, MA); Museo Hermann Nitsch, Naples (2017, IT); A Tale of A Tub, Rotterdam (2016, NL); KIOSK, Ghent (2014, BE); and the Palais des Beaux-Arts, Brussels (2013, BE).