Hamza Halloubi is an artist, filmmaker, and writer, born in Tangier (Morocco) and based in Brussels. He works with film, video, and painting. He develops a body of work that questions dominant artistic narratives and the tensions between visibility and silence. His oeuvre is part of an approach that seeks to decentralize Western modern and contemporary narratives. Halloubi explores and speaks from "the minor places of culture," calling upon intellectual and artistic figures such as Edward Said, Mehdi Ben Barka, Jean Genet, Jane Bowles, and Cherifa, whom he invokes in order to challenge cultural hierarchies. Rejecting the spectacular, he favours subtle gestures. He conceives the act of filming as an ambiguous gesture-both powerful and vulnerable-often imbued with shame or doubt, and he refuses any form of identity essentialization.
He had solo exhibitions at, among others, De Pont Museum, Tilburg (2025, 2020, 2015, NL); Argos - Centre for Audiovisual Arts, Brussels (2021,2022, BE); tegenboschvanvreden, Amsterdam (2022, 2020, NL), L'appartement 22, Rabat (2019, MA); Museo Hermann Nitsch, Naples (2017, IT); A Tale of A Tub, Rotterdam (2016, NL); KIOSK, Ghent (2014, BE); and the Palais des Beaux-Arts, Brussels (2013, BE).